A little different from Stephen Chow’s other titles but a solid horror comedy. Visually dark with effective use of sets/locations.

Plotting is a little clumsy in parts but still a sufficiently intriguing and captivating psychological horror. Solidly produced. Mostly looks good.

Some conveniences in the premise and plot, but it is sufficiently intriguing. Steady pacing. Nicely shot and well-produced.

Released in 2019, these six short films were produced in association with 20th Century Fox after being selected as winners of the...

Busload of people want to escape the world and start over in a hidden village. Intriguing premise but inconsistent tone and messy structure. If one expects a dark, gritty and trippy psychological mystery-horror, then one will be disappointed.

As expected, the rendering and animation have improved. But still meh.

Mostly looks good. Doesn’t try as hard as Volume 1, which is a good thing, but nothing great apart from “Bad Travelling” and “Jibaro”.

Mostly looks good. Doesn’t try as hard as Volume 1, which is a good thing, but nothing special.

An anthology that mostly looks good but most of the episodes try too hard.

Excellent black comedy horror that satirizes fine dining. Nicely shot with good performances.

German mystery-thriller in which a couple in an apartment wake up to find themselves walled in. The “closed world” premise is fine but the story is not planned out well.

Young woman is trapped in the forest with mysterious beings. She meets three others, and they eventually try to escape. Looks good enough. A little clumsy but not bad. Lacks wow factor.

Simple dark fantasy-horror: kill the bad guy with a sword and save the world. Looks great but it’s a bit flat.

As before, good production, decent pacing and moderately entertaining. But conclusion is somewhat rushed. Not that I expected much to begin with.

Looks impressive as a noir action-fantasy thriller. But it tries too hard to be edgy with all the sex and violence and comes across as a bit too cheese.

Relatable corporate satire and dark comedy. Twisted and entertaining.

Effective opening, then takes a quieter approach. Short and tight. Full of tropes which makes it amusing. Some hate it but is not a bad mild sci-fi horror-thriller.

Not bad ideas but clumsy plotting.

Plot-driven, focused on human and material aspects with the supernatural taking a backseat. Entertaining and, intended or not, even comical.

Mecha design and action generally look great. Decent pacing. That’s about it. Cardboard characters made worse with Netflix being woke.

Decent and entertaining mild sci-fi horror. Despite whatever weaknesses, it is measured and consistent in most respects.